Aug 162019
 

Documentation from my exhibition at Bloc Projects as part of Platform 2019 exhibitions through Site.

Audio recording of performance Two Songs A Capella and gallery talk, on Bloc Project’s website.

Photo Jules Lister
Photo Jules Lister
Photo Jules Lister
Photo Jules Lister
Photo Jules Lister
Photo Jules Lister
Photo Jules Lister
Photo Jules Lister
Photo Jules Lister
Photo Jules Lister
Photo Jules Lister
Photo Jules Lister
Photo Jules Lister
Jan 052019
 

Here are some photographs from the exhibition I recently put together, based around my book, Viewing Pleasure and Being A Showgirl, How Do I Look? Thanks to the artists who took part: Sophie Lisa Beresford, Julie Cook, Nwando Ebizie as Lady Vendredi, Alice Finch, Laura Gonzalez, Lucy Halstead, Sharon Kivland, Britten Leigh, Chloe Nightingale, and Isabella Streffen. 

Sep 202018
 

I had so much fun showing my work at Abingdon Studios in Blackpool. Here’s the documentation. I am so grateful to show my new video work Felicity Means Happiness for the first time in Blackpool.

Photo Matt Wilkinson, Abingdon Studios Project Space
Photo Matt Wilkinson, Abingdon Studios Project Space
Photo Matt Wilkinson, Abingdon Studios Project Space
Photo Matt Wilkinson, Abingdon Studios Project Space
Photo Matt Wilkinson, Abingdon Studios Project Space
Photo Matt Wilkinson, Abingdon Studios Project Space
Photo Matt Wilkinson, Abingdon Studios Project Space
Apr 052018
 
Left to right: Manifesto, 2017, Ascending A Staircase, Library Theatre, Sheffield, 2018, Ascending A Staircase, City Varieties, Leeds

Rowan Bailey put together the first show at the Market Gallery as part of the Temporary Contemporary collaboration between the University of Huddersfield and Kirklees Council and the Huddersfield covered market. Space, Place Action brought together the research staff at the university. I used the opportunity to test out my new series of theatre interior photographs, Ascending A Staircase.

Jan 202018
 

Sean Williams’s exhibition For A Burning Love has transferred to The Old Lock Up, Cromford. 

Contemporary British Painting featured the show in it’s newsletter: 

For a Burning Love

In January ‘For a Burning Love’ moves to the Old Lock Up Gallery in Cromford, a space that, fittingly some might say, used to be a jail. ‘For a Burning Love‘ celebrates and demonstrates the breadth of contemporary painting and includes works by Mandy Payne and Sean Williams. It encompasses highly-detailed realism and gestural abstraction, paintings that are almost sculptures and photographs interrupted by the introduction of paint. In this way ‘For a Burning Love’ questions what a painting might be and so, in turn, questions our fixed ideas about most things. ‘For a Burning Love’ may also offer a clue into why artists choose to use paint over other media to express their ideas and explore possibilities.

The Old Lock Up Gallery
19 The Hill, Swifts Hollow, Cromford, Derbyshire, DE4 3QHJ

Preview: Saturday January 20th, 1 – 4pm
Exhibition dates: 20 January – 25 February
Opening times: Thursday – Saturday 11am – 6pm, Sunday 11am -4.30pm

Aug 072014
 

Last night the exhibition London Life opened at Art Bermondsey/LA Noble Gallery.  Two of my cigarette card recreations are in the show, and I was third prize winner for the work.  (Thanks to Katherine Angel and Kate Enters for the photos!).

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Jul 182014
 

My work will be in Act II and Act III of S1 Member’s Show, Three Act Structure at S1 Artspace, Sheffield.  Act II is open 6th August–23rd August and Act III which is a re-mix of Acts I and II featuring all of the works is open 27th August–13th September.  The opening of the whole show was on 11th July, and now there is a programme of events that will take place during the subsequent Acts.

In particular there will be a publication and print portfolio launch on Friday 15th August and a screening and performance event on Saturday 6th September.  For the latter I am working on a new performance.

I’ll post more about the up-coming events–it’s a very exciting project to be involved in!

May 012014
 

I instigated a video show collaboratively curated with Megan Cotts, Alexis Hudgins, Ali Prosch & Brica Wilcox shown at SIA Gallery in May.  The show featured ten video works by Alison J Carr, Alexis Hudgins, Ivan Iannoli, Julie Orser & Jon Irving, Ali Prosch, Elleni Sclaventis, Matt Siegle, amy von harrington, Brica Wilcox, that respond to the provocation of Hollywood Forever: the dream, the film industry, the cemetery on Santa Monica Boulevard.  Each takes a different approach to Hollywood—from considering the myth, the geography, the surplus of images it gives us, the imperative to perform, the seduction and the make-believe.

More information about the project Hollywood Forever Bios.

image credit Julie Orser & Jon Irving, from The Viewer

Julie_Orser_Jon_Irving_005

Feb 182014
 

I’ve put together a selection of videos to be screened at S1 Artspace, Thu 20 Feb, 6 – 8pm:

Alison J Carr | Lindsay Foster | Alexis Hudgins | Stephanie Owens | Isabella Streffen | Katy Woods

S1 Artspace is pleased to present You Me You Me You Me, a screening of six short video works which will be followed by a discussion between artists Alison J Carr and Lindsay Foster.

In this screening, S1 Studio Holder, Alison J Carr, selected Lindsay Foster’s The Last Frontier as a starting point alongside which she presents four additional works: Notes on You and Me by Alexis Hudgins, The Pulse of Madame K by Isabella Streffen, Nadia by Katy Woods, and her own A Response to Unmastered by Katherine Angel; inviting Foster to select a final piece to sit alongside her own: Making A Past Present by Stephanie Owens.

The videos take different approaches to reflect on personal experiences and collective memories, on images and language and how we find ourselves formed through our encounters with culture. Across the selection are witty, playful observations as well as sincere enquiries. What is it to be a person?

 

Alexis Hudgins, Notes on You and Me, 2010
Alexis Hudgins, Notes on You & Me, 2010
Dec 172010
 
Theatre Interiors with Text, 2010
S1 Artspace

I tested out some new, large work on the walls of the old S1 Artspace before we moved.  My supervisors and I discussed the work and I stepped in and showed the work to my students in my crit group when the student showing texted me concussed in hospital.  The work is an ongoing pairing of theatre interior and text bios.  The bios are sourced from 1930s cigarette cards or online web presences.  The work represents the public viewing spaces of the showgirl and theorists connected to my research.