Allie


It’s the following day and I just went to the supermarket to buy some food.  When I came out, one the Neanderthals from the night before was in the street.  He did not recognise me.  I had no make-up on, blue pedal pushers, a white blouse and a coral cardigan.

Through my PhD I use my body as a tool for thought.  A case study.  A testbed.  Tonight I went out in Berlin, in a nice outfit.  I try to look nice / smart all the time – even more consciously now.  At CalArts, such complicated feelings about my body arose that it felt the preferable option to stay overweight, to allow myself to gain weight, loose touch with my body: that appendage below my head I carried around.  But not now, in this inquiry.  I want to be the impenetrable, tight, theory-hard body. 

I guess Lacan would say I chose to be the object of desire.  But I know from experience, sometimes we choose to be, and sometimes we choose not to be.  Tonight, I thought I looked good.  I was wearing a black dress with white dots from Oasis, cropped leggings, black 2-inch buckle shoes, turquoise raincoat.  I fixed my face with eyeliner and red lipstick.  Oh my word, I could feel eyes on me.  I become so aware of the gaze in public.  I mean, could they stop staring?  I did not choose this! I am not an object for Neanderthals on public transport! I am the object so that I look together, to conceal the wobbly mess I am.  I am the object to give myself an outline around myself, an edge I can see around myself in the mirror.  I am the object because I am constructed in any case, so I might as well construct myself!  I am the object because I feel better when I put myself together well.  I am the object because this is my tool for thinking.

I’m in Berlin until mid-July on a residency at LoBe gallery lobeart.eu.  I shall be showing at LoBe later in the year with Berlin-based artist, Kerstin Honeit.


When I danced with a bandaged wrist in 2008, one week after surgery, I guess I was performing the abject, penetrable body.  I was on heavy painkillers and danced to music I had never heard before – a reprisal of my performance piece ‘Me Against the Music’.  I don’t really know what happened (do you ever when you perform), but I do know that my friend was cross with me for making her worry – she thought I was pushing my body too hard and wouldn’t feel it because of the painkillers.  I have photographs, I never saw the video – too hard to get hold of.  There I am, in clothes chosen for there ease of pulling on, with my arms outstretched with a huge bulging blob on the end of my right arm.  The class performance evening was re-scheduled from the week before, because I fell and broke my wrist in three places as I warmed up in F200 in CalArts, half an hour before the original performance evening was due to start.
My body seems to know things I do not know.  Or, at least, I have observed it’s critically timed messages (rebellions?).  I guess there is a battle for supremacy between my brain and my body.  My brain can think and generate thoughts and words.  But my body can call the shots.  Let me recount an instance.  Last year, I gave my first conference paper in Newcastle.  Not only did I speak words, I danced a section of it.  When I woke up very early on the morning of the conference, to catch the train to Newcastle, I realised I had very itchy toes.  Athlete’s bloody foot!  I hadn’t had it for years!  I had my outfit planned out, which involved a trusty pair of blue t-bar shoes with a two-inch heel.  Closed toe.  So, I put on a pair of ugly, comfy Crocs sandals and took the pretty shoes in my bag.  I switched the shoes over just outside the conference venue.  On my way up the stairs to where the conference was held, an ugly sandal fell out my bag.  I did not notice until a man ran after me with ugly shoe.  I was mortified!  Not only was I nervous at the ridiculously maschocistic nature of my presentation, but my body was telling me who was boss!  There is nothing like my own body to make me look stupid at any moment!

I’m in LA 6th-26th April, mainly for How Do We Look? symposium, but also for watching burlesque, photographing theatres, going to archives.  Perhaps also working* on the beach.  Would love company for all the above, if you’re in LA.

*on my tan ;)

I am gently encouraging myself to write an introduction to next Saturday's symposium 'How Do We Look?'.  I have just typed the following.  I am not going to use it.  So, I am pasting it here.  It makes no sense other than as a visual to help me think.


Imagine I find a hand-written love letter on the street in LA.  I pick it up, and wilfully, misinterpret the letter as a love letter to the city itself.  Not wishing to remove this letter from its original location (perhaps its author will return), I quickly write the contents of the letter.  My new version is to no-one and from no-one.  It is in my rushed handwriting and I do not know how much it bares resemblance to the original text.

I shall be taking part in How Do We Look?, a one day symposiym at MOCA, LA, 9th April 2011, howdowelook.com

I just put my first chapter online, it is under ‘Writing’, or here Literature Review.

I’ve uploaded the ‘script’ for my RF2 (half way exam for PhD) presentation on Tuesday, you can find it here  The Showgirlian Method or under ‘Writing’.

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